My tutor , Clare Wilson, has sent the the report for Part 4 , which I completed before Part 3. I will highlight the comments or keywords that seems most important in red and answer in green. Overall Comments Thank you for sending me your assignment, which I am viewing via digital images and … More Tutor report Assignment 4
After looking at the interiors of Gillian Carnegie, Luc Tuyman as well as the still life of Morandi in the research for Part 4: the Tondo, I knew that I wanted to work on this assignment in a subdued or monochrome colour palette. I have chosen to explore watercolours as my main media during this […]
UPM Manual: “Make a very fluid painting of any subject on the list. Once this has dried, paint or spray with gloss varnish or nail varnish. Use any size, any surface, any media. What effects can you create by applying varnish? Make some notes in your learning log.” For this exercise I will use Cotmans … More 4.3 Fluid painting and varnish
UPM Manual: Make a series of three circular pencil drawings, using coloured pencils, of a scene in your house. Choose from the list above, or something different. Any size, any surface. I have landed in Indonesia and discovered that it is scarily easier to buy plastic plates than paper ones. But I have found … More 4.2 Three circular drawings
UPM Manual: “Using the paintings you made in Exercise 4.1, look at the scene you painted and add thicker paint to these thinly painted works. Leave areas of the thinly painted work visible. What effects have you created by applying areas of thicker paint?” I am skipping ahead to this exercise, to be able to … More 4.4. Adding thicker paint
UPM Manual: Make a circular viewfinder. You can either: Take a photograph of something inside your house and place the viewfinder on top ofthe image. OR Make a card viewfinder that you can hold up to an area you want to paint in your house and work from this.Make a series of five circular paintings … More 4.1 Five circular paintings
Clara's UPM 